Overview Photographs and Films
L16_02531, “Four Canvases, one Yellow, Lite from Fluorescent on Left”, Image: 15.75 in W. x 21 in. H. 40 cm. W. x 53.34 cm. H. Framed: 22 in. W. x 27 in. H. 55.88 cm. W. 68.58 cm. H. Archival pigment print, 2022, David Haxton. Part of the series: “Fluorescent and Daylight”.
“The Site of Film”, Kanal Pompidou, Brussels, Belgium, May 5- July 5.
Studio View, 2017.
No. 800,, “White with Holes Masked by White and Yellow Lit from Behind”, Edition of 2, x in. ( x ), 1 AP, x in x ( cm.), Color Photograph, David Haxton, 8/13/09
No. 800,, “White with Holes Masked by White and Yellow Lit from Behind”, Edition of 2, x in. ( x ), 1 AP, x in x ( cm.), Color Photograph, David Haxton, 8/13/09
Cubes 1977, 12 min. b&w, 16mm, silent. Fridman Gallery, 2019
“Holes in White Reverse and Canvases Over Pixel Hybrid”, archival pigment print, 36” x 48”, David Haxton, 2019, Edition of 4 L16_01460
No.15, “Magenta Paper”, Diptych, 23 x 49 in. Color Photograph, David Haxton, 7/4/1977, Edition of 4
No.629, "Yellow Lit from Behind and Yellow with Holes to Blue”, Edition of 2, 65 x 68 in. (165 x 172 cm.), 1 AP, Color Photograph, David Haxton, 7/14/06. Gallery view.
No.142, “Shadows from from White with Holes”. 23 x 29 in., with border 28 x 34 in. Color Photograph, David Haxton, 5/19/80
Museum view, Indianapolis Museum of Art, New acquisitions. 2010. No.592, "Holes in White to Black and Holes in White to White, Both Lit from Front”. Edition of 2, 63 x 77 in. 1 AP, Color Photograph, David Haxton, 8/5/2005
Polaroid 144-1981, 4 in. x 5 in.
FP17, "Unlit Painted Fluorescants in Low Light and Behind Holes in White", Edition of 2, 40 x 30 in. 1 AP, Archival Pigment Print, 2014, David Haxton
No. 141, "Shadows from Torn Magenta on White", 23 x 29 in. with border 28 x 34 in. Color Photograph, David Haxton, 5/19/80, Edition of 4