“Shadows from Cornice On Red with Torn White Over Black”, archival pigment print, 36” x 48”, David Haxton, 2022, Edition of 4 L16_02404 735
“Holes in White with Holes in White in Background”, archival pigment print, 36” x 48”, David Haxton, 2022, Edition of 4 L16_00312 769
No.796, "Holes in White Lit from Behind and White Form”, Edition of 2, 63 x 77 in. 1 AP, Color Photograph, David Haxton, 8/11/09
No. 800, “White with Holes Masked by White and Yellow Lit from Behind”, Edition of 2, 63 x 66 in. 1 AP. Color Photograph, David Haxton, 8/13/09
FP17, "Unlit Painted Fluorescants in Low Light and Behind Holes in White", Edition of 2, 40 x 30 in. 1 AP, Archival Pigment Print, 2014, David Haxton
F296, "Painted Fluorescents Left and Right", Edition of 2, 40 x 60 in. 1 AP, Photographic archival pigment print, David Haxton, 2010-12
No. F229, “Painted and Unpainted Fluorescents Illuminating Fluorescents with Blue Paper in Back”. Edition of 2, 40 x 60 in. 1 AP, Photographic archival pigment print, David Haxton, 2010-12
No.339,"untitled", 1994 C-print 22 x 28 inches, with border 27 x 33 in. Edition of 4, David Haxton
No.160 "Division with Irregular Squares in Magenta and Orange" 23 x 29 in. 28 x 34 in. with border. Color Photograph David Haxton, 11/11/80 Edition of 4
No.99 "Light Behind White Rolls and Light Behind Glass". 23 x 29 in. 28 x 34 in. with border. Color Photograph David Haxton, 6/14/79 Edition of 4
No.15 "Magenta PAper" 23 x 49 in. Color Photograph David Haxton, 7/4/77 Edition of 4
No. 8, Untitled, Diptych, 16 x 32 in. two 8 x 10 in. black and white contact prints made from 8 x 10 in. negatives David Haxton, 1976
Installation of 2019 Fridman Exhibition.